Abigail (
becareful_boyo) wrote2013-03-19 07:30 pm
The Tortoise, early evening, one very ordinary day in March.
Abigail is in the midst of a spat with Thomas. Just a spat, no matter what their customers say; the ones who stuck around once dishes started flying, that is, and didn't flee like incontinent cowards. A spat brought on by increasing temperatures inside the tavern and stubbornly cold ones outside, that last brush with winter after many months of feeling as though one might lose ones toes to snow and ice.
They are both feeling a bit cramped. It's no surprise that tempers flared, really. It was nothing to concern anyone, truth be told, and they had exchanged fond smiles at the end, when Thomas had jabbed his hat on his head and took himself elsewhere.
Just a spat, as previously mentioned, but Abigail isn't about to tell her customers that. No, not when they are being so quiet, so well-mannered, so agreeable.
She hums quietly to herself, smiling with a glint in her eye, as she tries to whack a dent out of an old tankard.
They are both feeling a bit cramped. It's no surprise that tempers flared, really. It was nothing to concern anyone, truth be told, and they had exchanged fond smiles at the end, when Thomas had jabbed his hat on his head and took himself elsewhere.
Just a spat, as previously mentioned, but Abigail isn't about to tell her customers that. No, not when they are being so quiet, so well-mannered, so agreeable.
She hums quietly to herself, smiling with a glint in her eye, as she tries to whack a dent out of an old tankard.

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A pinprick of blue light appears on the wall of an empty stall. Slowly the light expands to a line, which then traces the outline of a door. On silent hinges that didn't exist a moment ago, the door swings open and a shape hobbles through, leaning heavily on a walking stick.
"...smells like home, funny enough," says Mike as he makes his way into the barn proper. His usual cargo shorts and Hawaiian shirt are replaced by Olau appropriate garb. Even his air-cast has been replaced by a less anachronistic one.
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She is dressed in a black surcoat, one that looks much like what she wears in Ambergeldar when appearances matter.
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With a sigh Mike turns back towards the direction of the barn door.
"Splinter says it's just through there."
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"You will be recognized?"
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In truth, he has no idea, because he doesn't remember any of this place in the slightest.
They make their way towards the front of the tavern, and stop in front of the heavy wood front door. Mike takes a deep breath before pulling it open.
Now or never.
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X stays just behind him and to the left as he enters, watching his back.
And maybe nudging her shoulder against his, very gently.
Just so he does not forget that she is there.
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Abigail looks up.
Her eyes narrow, then widen as her eyebrows rise.
"Well, well. Look what the universe spat up." She turns to X, a dangerous sort of smirk curving her lips. She hits the tankard against the bar; pauses to examine the dent. "Laura."
She likes Laura.
(She likes Mike, too, but he deserves to sweat a little.)
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"Hello. You have been okay?"
The lingering tension in the tavern can't really be missed, even if Abigail does not seem particularly possessed of any.
Sometimes it is better to check.
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"Oh, right as rain in the worst drought months," she answers, rubbing at a spot with her thumb.
The regulars exhale. Slowly, the volume rises.
"You?"
Her eyes flick to Mike, taking in his appearance.
"The llamas'll be pleased to see Sven here."
Deadpan.
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Mike doesn't feel the tension in the room, because he's too busy being distracted by the bottom dropping out of his stomach.
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Maybe it's a reminder to Abigail.
Maybe it's a reminder to Mike.
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"Mike," she parrots, dragging out the sound of his name like a prompt. Then, straightening her shoulders, "Tell me you aren't here 'cause Raph has been gettin' himself in trouble."
This last she directs at Laura, figuring she'll deal straight. It doesn't seem to be in her nature to do otherwise.
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"Raph's fine," he manages, though it sure does sound like his voice is a bit on the dry side. "Or at least I imagine he is. I...he. He doesn't know I'm here.
...
We're here."
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"In Milliways."
Beat.
"Lately."
The quick look she flicks in Mike's direction suggests that Abigail should append a 'better than Mike has been' to any or all of those statements.
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A soft snort of amusement escapes, at this and at the mental image of Raph's face when he hears about her visitors. Abigail puts the tankard away, the dent a lost cause, and begins to saunter around to where Mike is standing. She takes in his hands first, noting the fiddling and checking for weird cylinders with flashing lights.
The way she moves isn't threatening, exactly, but she is holding that rag like she's prepared to snap it in Mike's face.
"You reckon you've been gettin' in enough trouble for all the brothers, then?" Eyebrows raised.
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"I wouldn't dare say enough for all of us," he says a touch smoothly, his eyes darting to X.
"She might, though."
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"I do not know if it would be better," she says eventually. "If it were."
It might mean Mike getting in even more trouble.
And really, no one wants that.
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Abigail looks at X for a long moment, considering.
Back to Mike.
Bluntly, "Then why're you here?"
Part of her hopes he's here to invite her to Milliways behind his brother's back. She's not proud.
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The next second, however, finds him catching and holding her eye-contact.
"I'm here to apologize and ask for your forgiveness."
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All emotional and interpersonal underpinnings aside, this is foreign territory. It is better to be careful.
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When it's clear Mike isn't saying more, Abigail asks "For what, then?" in a deceptively sweet voice.
Because, as she has explained to Raph time and again, it's as important to know why you're apologizing as to do the deed itself.
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That moment passes when he notices the slight edge to her smile.
She's playing with him.
"To be completely honest? I'm still not entirely sure of the specifics, because everything that happened the last time I was here is just...not here," he says tapping at his temple.
"But I've been told I was more than inappropriate, misused technology I shouldn't have meddled with, and have a lot to answer for because of both."
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X's delivery is flat and forceful, though her expression remains blank.
"I know."
Trying only creates monsters. On every side.
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'Sven' made them square.
But that's no fun to admit right away, is it?
She nods twice, the slow motion meant to acknowledge and approve Laura's statement.
Abigail's voice goes soft for real, now. "I'm sure the Lioness has had words with you about bringin' that sort of stuff to our world, so I'll leave off that. Splinter an' the boys probably filled in the rest, made you suffer." She squints at him, gaze questioning. "You're no buffle brained fool, even though you might act it, so I'm bettin' you get why messin' with someone's head space is no good.
"Way I see it, there's just one thing left to do."
She starts winding up the towel again.
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You don't survive childhood as the youngest of four without knowing exactly what such an action means.
"...I deserve his," he says wincing.
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